For years, getting started was the hardest part.

I waited for “inspiration.” I thought I needed to have the image in my mind and then transfer it to paper. I would sit around and ponder various options for way too long.

When I start a new commission, I engage my patron in conversation. They usually have ideas they have been looking forward to sharing with me, so I sit back and listen.

I then share my thoughts, and we evolve into a collaboration.

Putting our ideas on paper has become the most pleasant part instead of the most challenging. I call it connecting the dots.

I work fast, sketching with a light touch using a 0.3mm mechanical pencil. Often, I quickly sketch several lines when I only need one, giving me some choice as to which one I like the best.

I’m not worried about making the perfect drawing but an “impressionist” representation of our idea. This freeform approach also releases the tension I feel from taking the risk of putting our ideas on paper.

It’s also an excellent communication tool to send to my patron when asking for their feedback.