Flameworking has become an essential part of our art. Four of our current commissions will require thousands of pieces, which we will make one at a time by hand.

When we have time, which is becoming rare, we build our inventory.

When visiting our suppliers, I buy stained glass sheets to work specifically over a flame. First, we cut the sheets into eighteen-inch sections and then into 1/4″ to 3/8″ strips. We group them into canning jars and place them on shelves above our torches.

I’m a big believer in displaying our supplies and tools. Living with them creates a continuous learning environment. I have already done my homework when I choose a color or look for a tool.