This is an example of the framework I build as a “canvas” for my flame-worked windows.

After I assemble the basic window with zinc, sculpt the branches with solder, and attach wires to give my window a three-dimensional look, all the metals receive a copper sulfate wash to darken them. Creating this contrast is the first step in bringing my art alive. I often think of it as a winter scene.

Along the way, we have been flame-working to create the leaves for not only this project but several others.

On the days I get to compose my composition with color, my mind shifts to another era. I have a real fondness for Monet. I like the way he dressed, how he furnished his home, and his love of color in nature. I am especially taken by how he depicts sunlight changing colors as it flows across flowers and the shadows created.

As I focus on my composition, my mind returns to the work in front of me. The freedom I have in moving each little piece of curved glass around with my craftsman’s hands or a pair of tweezers is exciting and draining at the same time. Often, when I am pleased with an area, I’ll have my assistants attach the pieces with a UV adhesive and cure them with a special light, giving me time to free my mind and return refreshed.