Self

Self Twenty-five years ago, I collaborated with St. Peter Baptist Church in Glen Allen, Virginia, on the construction of their new sanctuary. Our relationship started with meetings to determine design and cost. There were around 12 representatives from the church and me. By this time, I had been working with churches for twenty-seven years and knew the best position for me was to sit quietly and answer any questions with as broad an answer as I thought I could get away with. Having the number and sizes of the proposed windows was a great start, but design and materials

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Self

Dear Dad, Looking back over my life, I realize how much I learned from you. You are the quietest man I have ever known, certainly the most stoic. You rarely explained what you were doing, often even when I asked questions. Even though we seldom talked much, I learned to follow your movement. You possessed an uncanny ability to look at a problem and knew how to approach fixing it. It was labeled common sense back then; you were known as the neighbor who could fix just about anything. I learned from you something I use every day. I

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Self

Freeing myself from captivity is a recurring theme in my life. I knew by the second grade that not only was I unhappy, but the structure forced upon me would not serve the life I wanted to live. I wasonly one person, and I knew that I could take care of myself. I considered this intrusion into my life an insult to my person. I found my place in art. There were little to no rules, and I could use my imagination, which I had honed, to protect myself from the mediocrity of institutions.  One of the first things

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Self

There are times over my career when I would feel quite sad. Not so much now, but there have been times when I thought I would give up on my quest to be a glass artist. There was one time I came close, almost sold everything, to move to the Outer Banks of North Carolina to work as a carpenter, bartender, or something similar. As with most things, I wanted answers right away, which made me quite harsh on myself. Grasping at almost every idea that entered my mind, I missed the subtle cues of my emotions, rubbed raw,

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Self

I have learned over the years that the best investment I can make is investing in myself. Never having much money at any given time, I would use any extra to treat myself to a well-deserved experience like eating out, taking a few days off, or both. As I worked on my projects, I always put in extra effort, considering it an investment in myself and my marketing plan. I was simultaneously building my skills and reputation, hoping to recoup my investment in future commissions. Over the years, I began to see the quality of my commissions and compensation

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Self

When I read, I struggle to remember what I have read. I’m aware that much of this comes from the confusion between my left and right brain, which results from being forced to use my right hand instead of my left. This switching also affects my ability to concentrate and focus and, to a large extent, my memory. I’ve learned to adapt. Not only have I learned to adapt, but there are times when I wonder if I’m not better off. Not being able to comprehend as quickly as others, I learned not so much from the words of

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Self

I’ve met some interesting people, often because of the projects I’ve worked on over the years. This is Josh Greenwood, blacksmith extraordinaire. Among many other accomplishments, he built gates for the National Cathedral, taught blacksmithing courses around the country, developed two hydropower plants, and spoke four languages. I met Josh when we were both around thirty and creating art for the new Tobacco Company Club. I have always found it interesting how people connect. For Josh and I, the whole spectrum of persona, work, and the ability to communicate instantly drew us into a friendship. I also admired his

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Self

Many years ago, Steve Jobs gave an interview describing what it was like to manage Apple. It’s like one is the captain of a large ship; there is a massive hole in the bow, water is beginning to come in, and I’m doing everything I can to make it to shore before we sink. Perfect description. I have felt that way many times. So many details demand attention and take up so much of my day that creating art is almost in the catch-as-catch-can category. My mind is constantly churning. I have pads of paper around me with which

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Self

Seven years ago, a university professor visited me with his album cover of the Beach Boys’ Wild Honey and asked me to create a transom window for his listening room using the design on the cover as inspiration. Our relationship started as usual: introductions, a tour of my studio, and then finding comfortable seating in my office to share our thoughts about his project. I’m fortunate that interesting people find me to work with. I owe this to the internet, where one can tell one’s story, and people from all over can choose who they want to work with.

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Self

As a young man, I felt inadequate in life. I never did well in school. I felt like I was in this large holding pen until I was old enough to go out alone. I had a sense of self. I viewed my life quite differently than Dick and Jane saw theirs and became resentful of how I was forced to live in their world. I was thirty-two when I decided I needed a change. I moved to the country, arranged my life so I only had to work three to four months out of the year, and started

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Self

I created this center section for a beveled glass window in a home in Richmond, Virginia, around forty years ago. I look back on this accomplishment and feel a sense of pride, partly because it was well-managed and still serves me well as an example of what I was capable of back then. I remember the emotional struggle as I worked through the challenges of creating and building such a piece. Starting with a piece of paper and a couple of number 2s, working and reworking ideas is challenging, especially when the outcome is up to me, with no

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Self

From day one, I knew I would not make much as an artist/craftsman and that there was a good chance I would not be able to make it my occupation. I’ve been told I have a gift. If I do, it’s an overabundance of perseverance. Cutting glass is essential in my art; one’s skill and productivity determine one’s livelihood. Stained glass is an inconsistent material, not only in one sheet but also throughout the sheet, as the various colors, in varying amounts, take their place. Running a small metal wheel around my pattern takes much skill and concentration. If

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Self

I am so overwhelmed with projects that I have been considering how to become more efficient. With so much going on, I move around throughout the day, from my drawing table to the area where I study glass samples, visiting each table where there are ongoing projects, sharing ideas with the artisans who assist me, and keeping records and communicating. Moving around benefits me the most. If unsure how to proceed, I’ll study the information before me, believing it will pass into my subconscious. As I move around throughout the day, studying how to move this mass of work

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Self

Almost every evening, as I open the door to leave my shop, I turn around and take one last look. I am overcome by a wave of satisfaction almost every time. Here, I create not only my art but also my own work culture. As a young man, I dreamed of such a place. Looking back forty-two years after working ten years in my studio in downtown Richmond, Virginia, I can fully appreciate the courage it took to move sixty miles up the James River to Bremo Bluff, start renovating a 1906 farmhouse and jacking up an old buggy

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Self

One of the most interesting aspects of my life as an artist is my ability to create my reality. I desire to do good, be helpful, contribute when appropriate, and be true to myself. Finding direction and support is challenging in a world with many contradictions, and simple solutions are the norm for very complex problems. And then I have to contend with my inner workings. When I get dressed in the morning, I lay out what I will wear on my bed. Almost every time, I say to myself, I can not possibly be that big around. And

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Self

I’m going to be seventy-six in a couple of weeks. I spend considerable time thinking about life, especially the changes that have occurred during my lifetime. When we couldn’t use calculators in statistics class, NASA was the only one with computers, and I relied so heavily on my paperback Webster Dictionary. I remember how others laid out our lives with medals, ribbons, and negative feedback, creating a well-defined course. For some, this provided security, comfort, and certainty. I was miserable. I love this electronic age. I feel connected to friends, to the rest of the world, to what people

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Self

Focusing on color enriches my life every day. As a young man, I was so busy trying to meet others’ demands that my mind was consumed by clearing hurdles as fast as I could. At this age, I understand why the blinders were so routinely attached. I’m past the stage where I resent what I believe was stolen from me, leaving me with a clear head to enjoy the pleasures of the world around me. I now drive slower, walk slower, eat slower, and sit longer as I absorb the beauty in our world that captures my imagination. Every

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Self

I believe it is essential to have a rich emotional life. Not only to be aware but to dive deeply into its meaning, to better understand ourselves, and to fully appreciate this aspect of being a human. Over the years, I have learned that I need to take mine “out for a walk ” to appreciate and evaluate them from a different perspective from where they evolved. Studying other countries, history, philosophy, and just about anything else removes me from this little environment where I tend to find comfort, safety, and certainty. It introduces me to many other possibilities

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Self

The proper title for what I do is artist/craftsman. I first heard of this description when I was in my early twenties. I was drawn to it because it is all-encompassing. I didn’t have to include anyone else in my creation; it set the stage for my free expression. I’m not fond of titles. This goes back to my experience dealing with too many people with credentials who need to have the minds of their professions. Around thirty years ago, a much younger artist asked me how long it took me to begin to feel like an artist. I

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Self

Creating the art glass windows I make takes a lot of study. First, I must study the idea, translate it into a drawing, find and select the colors, make a pattern that will meet the mechanical requirements of a well-built window, and study the best way to execute the piece. Over the years, I have become comfortable with creative processes: thinking and doing, doing and thinking, and reevaluating new information.They are quick and easy to execute and fit my mental makeup. As a student, I struggled with focusing, memory, and concentration. I learned later that being born left-handed but

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Self

Glass cutting is something I take seriously. Each type of glass cuts slightly differently, requiring varying pressures on the little wheel at the end of the cutter. The wheel has particular angles for various thicknesses and hardnesses of glass. Each cut requires dipping the little wheel into a small jar with light oil to give it a longer life. Cutting and grinding glass has the feel of ice to me. Many years ago, before grinders, I would nip away at inside curves with a pair of glass plyers I had rounded off for easy access. It was tedious and

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Self

I have found a most enjoyable way to exercise. I peddle my stationary recumbent bike for thirty minutes five days a week. Over the instrument panel is a place for my iPad, where I entertain myself with music and stories about other artists and research my latest projects around the house. Lately, I’ve been watching episodes of America’s Got Talent on YouTube. It is so interesting to me when someone or a group comes out of nowhere with a fresh new routine. It renews my faith in our uniqueness, reinforced by the effort required to pull it all together.

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Self

When I started my journey in 1972, I was 23 years old. One of my biggest challenges was pricing my work. I remember how nervous I would get when giving someone an estimate for a lamp, which is how I started my career. I was always looking for work, even painting a few houses along the way to make ends meet. At that point, I was happy to just survive, with the possibility of being able to keep building my livelihood. Most people had no problem with what I quoted them. However, some were quite agasp. I took this

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Self

I have never liked stereotyping people. I’m not good at it, and I almost always feel bad if I do. Of course, it’s just a part of who we are for many reasons. When we were working on a lot of church restoration, if I drove up to a church with mostly management people, I would often since I was facing an uphill battle if I wanted to continue pursuing the project. Or, as we say in the country, he must have jumped the fence, or he’s on the other team. If I pulled up to a church with

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Potatoes

Potatoes grow well in our zip code. Living in the country, we can purchase a pickup truckload of aged manure for $5.00. Add in all the leaves, straw, grass, and leftover plant matter, and after 35 years, our garden is like potting soil. Every year, we plant 3 to 4 rows of potatoes. We dig a hole, stuff a handful of straw in the bottom, place the cut portion of a potato with an “eye” in the hole, and cover it up. Then, the magic begins. Moisture, air, nutrients, and sunlight stimulate the embryo. The mixture is slightly different

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Self

My adjustment to our world was painful because of my left-brain—right-brain switch; I have evolved into a very inward person. My self-development, which I have taken responsibility for, has evolved from reading, observing, and thinking. I’m especially aware of how extraordinary life is, as we have evolved on the only known planet that can sustain it. We are here for a short time, and the quality of that time is mainly in our hands. And that there are others in this world who would like a piece of my life for their gain. There are times when I lie

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School

I realized something was wrong from my first days in the first grade. I had trouble understanding what was going on. The instructions were unclear, reading was laborious, and letters and numbers kept jumping around. In some way, I didn’t know if I was sane in an insane world or insane in a sane world. I learned that if I sat in the back of the class and didn’t participate, most adults would leave me alone; this protected me from the devastating barrage of failing grades. It also allowed me to live in my little world of daydreaming, filled

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My Journey

When I started my journey into being an artist/craftsman in 1972, I had a landline, library access, and a college degree in Sociology and forestry. My only financial resources were money from painting houses, which was how I paid for college. Oh, and I still had my old VW bus. But most importantly, I had me. I have always been strong-willed, with what is today referred to as grit. As my skills developed, I began to receive commissions from well-off people. This was quite a change from the environment I grew up in. Some saw a way to embellish

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Reading

When I moved to Bremo Bluff forty-two years ago, I promised to devote considerable time to Reading. I have always liked the idea of carrying on a “conversation” with an author who otherwise I wouldn’t have the opportunity to because of unavailability or the difference in our life span. I started by reading books cover to cover. I soon learned that most books contained several good ideas and evidence to support them but were time-consuming. After acquiring a new book, I began exploring the index and table of contents to find information relevant to my interests. This approach worked

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Music

Around eight years ago, one of the provosts at Virginia Commonwealth University asked me to speak to a graduate class in advertising about creativity. Toward the end of my talk, I was asked if music helps to make people creative. I said no. I would like to correct this notion now. When I’m working, I find listening to music distracting. Every morning, when pedaling my stationary recumbent bike, I hear a lot of music. I’m especially fond of Dave Mathews’s tune Jimi Thing. I greatly respect Dave’s creativity in his music and his incorporation of other creative musicians into

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Mindset

I moved from Richmond, Virginia, to Bremo Bluff, Virginia, in 1981, when I was thirty-two years old. I didn’t realize it then, but this was the turning point in my life, from putting all my efforts into creating a commercial business to creating an artist studio. I found a 1906 farmhouse on seven acres that seriously needed repair. It had a falling-down “buggie” barn that I jacked back up and made into my studio. By living off of referrals, I reduced my time to make a living to four months a year. The other eight months I devoted to

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Collecting

I like to motor in my 2001 Miata when I have some spare time. Visiting antique shops is high on my list as I travel through the countryside of central Virginia. Since we have all the furniture we’ll ever need, I focus on “collectibles,” usually in the $5 to $35 range. I have found some beautiful objects that have great form and color. Some are handmade, and others are early production pieces. What I enjoy the most is that I can sit in my study and hold the pieces, studying them up close.Museums tend to frown upon this practice.

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Freedom

Sitting on the hillside between my junior and senior years in college, I thought about how I wanted to live my life. I knew I wouldn’t fit into the corporate world and would not allow someone else to profit from my development. I believe one should work when the work is there and then take time to enjoy the other things life offers. I had done everything everyone else wanted me to do; now, it was my turn to take control of my life. I wanted a shop, my product, and, most importantly, to be in control. I wanted

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Myself

When I moved to the country in 1982, I was back working by myself, by choice. I chose to live as inexpensively as possible so I would have the time to focus on learning about myself, something I didn’t have much time for when I was building my company in Richmond. I could do this because I had a strong networking system with other artisans who would contact me when they saw the potential for my art when working on their projects. Networking was the norm before the Internet. If someone referred you, you were usually accepted on their

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Thinking

On each project, we reach a point where we ask ourselves, “Is it finished as is?” As we gather around, it is like a four-way chess game. Each of us picks up additional pieces and places them for observation. Mostly, we communicate in grunts and groans, like a bunch of Neanderthals tasting something we just cooked but never had before. The emotion in our voices replaces everyday adjectives. We’re guys, and we’re proud of it. Our journey as artists/craftsmen provides us with the lifestyle we need to sharpen our creative skills. Creativity is no longer a sideline but necessary

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Burnout

My mind likes to work 24/7. It probably has 15-20 of these “snippets” in the works now. It’s not nurotic it just has a good work ethic. I learned many years ago that when an idea appears, I write it down and let my subconscious go to work. My subconscious doesn’t like having an unsolved problem. There are 86 billion neurons traveling between 156 to 270 miles per hour, and they live right next to each other. When some of those neurons have an idea, they flash it into my conscious mind. By flash, I mean a nanosecond or

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The Red-Headed Little Girl

When I was in the third grade, I couldn’t read my teacher’s writing on the blackboard. I would walk up the side of the room to where the front desks were, but even then I could barely make out the words. I even asked the teacher if she would write larger. Her response was,the letters were large enough. Back then, my hair was auburn, the color of pine needles. Behind me was a little redheaded girl with glasses. We both had more than our share of freckles. One day, just out of curiosity, I asked if I could look

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When I Was 9

When I was around nine, I wanted to be a farmer. My parents “gave” me a section of our suburban backyard to create my own littlesanctuary where I raised rabbits, pheasants, bantams and a few ducks. I learned that the Dept. of Agriculture had phablets on just about every facet of farming. Most were free, a few in the five to ten cents range and one was twenty cents. I had stacks, all around my bedroom. For several years I lived vicariously, pouring over the pages and absorbing the photographs. I loved the freedom to follow my imagination. I

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