Commissions

I find it interesting the perception a committee or single patron has of me as an artist when we first begin conceptualizing their project. I sense considerable pressure to help them create something along the lines of the Mona Lisa or the Gardens of Monet, which would gain aesthetic appreciation and value over time. Of course, in the end, it comes down to discovering something that they like. Something that represents their beliefs and fulfills their responsibility to define them for generations to come. Twenty-five years ago, when St. Peter Baptist Church in Glen Allen, Virginia, and I was

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Self

Freeing myself from captivity is a recurring theme in my life. I knew by the second grade that not only was I unhappy, but the structure forced upon me would not serve the life I wanted to live. I wasonly one person, and I knew that I could take care of myself. I considered this intrusion into my life an insult to my person. I found my place in art. There were little to no rules, and I could use my imagination, which I had honed, to protect myself from the mediocrity of institutions.  One of the first things

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Creativity

There are times I’m not sure what’s going on. Daniel and I worked together on this window. That may be part of the reason—two artists playing chess with an idea, challenging each other by moving lines and selecting colors. It’s different when working with a patron. The patron has a big idea; the artist works with the subtleties, aware of the vast number of options for line and how different colors affect one another. Put two artists together sharing insights, and both need to be ready for just about anything to happen, intellectually and emotionally. It has taken me

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Self

There are times over my career when I would feel quite sad. Not so much now, but there have been times when I thought I would give up on my quest to be a glass artist. There was one time I came close, almost sold everything, to move to the Outer Banks of North Carolina to work as a carpenter, bartender, or something similar. As with most things, I wanted answers right away, which made me quite harsh on myself. Grasping at almost every idea that entered my mind, I missed the subtle cues of my emotions, rubbed raw,

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Design

I created this abstract design with leftover flame-worked pieces from a large project. After working with hundreds of pieces, I became familiar with the shapes and colors and how they are attached. Many years ago, I learned that the first third of a project is the most intense and uncertain. Afterward, I’m in the comfort zone, which some call flow. This is the rollercoaster so many artists talk about. From the feeling of inadequacy, possibly an imposter, to euphoria.

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Marketing

I have noticed over the years that patrons observe more than my work. There is often an unspoken connection, usually starting when one visits my website. People have told me they have visited many other artists’ sites and decided they would like to work with me. Next, we move into the communication phase. Just hearing and reading from another is enlightening. With only words, both sides get a glimpse into the other. They will often visit. Although my shop is only fourteen hundred square feet, with fifty-two years of accumulation, it usually takes on an air of Where’s Waldo.

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Self

I have learned over the years that the best investment I can make is investing in myself. Never having much money at any given time, I would use any extra to treat myself to a well-deserved experience like eating out, taking a few days off, or both. As I worked on my projects, I always put in extra effort, considering it an investment in myself and my marketing plan. I was simultaneously building my skills and reputation, hoping to recoup my investment in future commissions. Over the years, I began to see the quality of my commissions and compensation

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Design

As I grow older, I am more attracted to the subtlety of art and life. This is a study I created many years ago. Like many approaches, I grew weary of intense colors and their impact on my art. I no longer needed or found the value in intense stimulation; I felt distracted from what was important.  I now look deeper into the beautiful woodlands as I drive through my beloved Central Virginia. The redbud and dogwoods are in full bloom now, reflecting light that filters through the old-growth forest around them. This attracts my aesthetic sensibilities more than

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Restoration

Several years ago, we worked with a couple creating a chapel for the Catholic Diocese on Ocracoke Island, North Carolina. They had purchased a stained-glass window, probably made in the 1950s, that they wanted to install above the altar. After lifting it into place for the first time, they noticed Mary’s face and hands were not up to the aesthetic level of the rest of the window. They later learned the original face and hands had been removed and replaced by a lesser artist. They contacted my son Daniel and me to see if we could replace the mismatched

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Shop

You may have wondered what the inner workings of a 1915 Henry Lang beveling machine look like. Well, ponder no more. This is the machine we rough-grind our bevels with. With a bit of 80 -100 aluminum grit and a lot of focused muscle, we stand there for hours, changing the angle on the edge of the clear glass from 90 degrees to around 20. Water acts as a lubricant, so we wear rubber boots and aprons and always use warm water, hoping to postpone the onset of arthritis. As you can see, the parts are simple and sturdy,

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Design

I created this window for an Irishman’s home many years ago. Happy St Patrick’s Day, everyone.

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Self

When I read, I struggle to remember what I have read. I’m aware that much of this comes from the confusion between my left and right brain, which results from being forced to use my right hand instead of my left. This switching also affects my ability to concentrate and focus and, to a large extent, my memory. I’ve learned to adapt. Not only have I learned to adapt, but there are times when I wonder if I’m not better off. Not being able to comprehend as quickly as others, I learned not so much from the words of

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Design

This was one of my first serious attempts at creating three-dimensional windows. Starting with blown clear glass from Germany to create the effect of wind around the branches, I then began to shape and attach wire branches to enhance the movement’s impact. Attaching our flamed worked petals in the same flowing manner, I begin to build the most life-like portrait of nature I’m capable of.

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Creativity

I began to teach myself how to draw in my mid-thirties. A book published in 1989, Drawing on the Right Side of the Brain, by Betty Edwards, was a great inspiration. Betty had a warmth about her that she so beautifully portrayed in her writing. She described techniques with her drawings and presented quotes from other artists in such an organized way that I could open her book up almost anywhere and learn. My favorite part was when she talked about how helpful it is if one can feel the object, and who could feel it better than the

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Self

I am so overwhelmed with projects that I have been considering how to become more efficient. With so much going on, I move around throughout the day, from my drawing table to the area where I study glass samples, visiting each table where there are ongoing projects, sharing ideas with the artisans who assist me, and keeping records and communicating. Moving around benefits me the most. If unsure how to proceed, I’ll study the information before me, believing it will pass into my subconscious. As I move around throughout the day, studying how to move this mass of work

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Design

There have been times when I thought our sculptured soldering looked dull and uninteresting. I’ve tried different patinas, like the one that turns solder green, and placed some on the North side to resemble moss. That works in some cases, but for the most part, I just wasn’t satisfied. Brushing Shellac or Polyurethane on solder worked well for some projects as it picked up the reflective light, which balanced well with the stained glass surfaces.

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Self

Almost every evening, as I open the door to leave my shop, I turn around and take one last look. I am overcome by a wave of satisfaction almost every time. Here, I create not only my art but also my own work culture. As a young man, I dreamed of such a place. Looking back forty-two years after working ten years in my studio in downtown Richmond, Virginia, I can fully appreciate the courage it took to move sixty miles up the James River to Bremo Bluff, start renovating a 1906 farmhouse and jacking up an old buggy

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Projects

Some vast projects have occurred over the years. This is Saint Peter Baptist Church in Glen Allen, Virginia. We completed it around twenty years ago. I’m often asked if we have any large projects we’re working on. This was our most extensive one, completing most of the work outside my shop. Projects like the twenty windows we designed and built for Saint Peter are very demanding. Starting with a committee, we tackle everything from subject matter to color. Politics plays a slightly different role for each job of this size. Not knowing the specifics, I’ve learned to sit quietly

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Self

I’m going to be seventy-six in a couple of weeks. I spend considerable time thinking about life, especially the changes that have occurred during my lifetime. When we couldn’t use calculators in statistics class, NASA was the only one with computers, and I relied so heavily on my paperback Webster Dictionary. I remember how others laid out our lives with medals, ribbons, and negative feedback, creating a well-defined course. For some, this provided security, comfort, and certainty. I was miserable. I love this electronic age. I feel connected to friends, to the rest of the world, to what people

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Self

Focusing on color enriches my life every day. As a young man, I was so busy trying to meet others’ demands that my mind was consumed by clearing hurdles as fast as I could. At this age, I understand why the blinders were so routinely attached. I’m past the stage where I resent what I believe was stolen from me, leaving me with a clear head to enjoy the pleasures of the world around me. I now drive slower, walk slower, eat slower, and sit longer as I absorb the beauty in our world that captures my imagination. Every

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Design

I enjoy creating movements in my designs. It heightens interest, often as a surprise element. I start with studying sheets of glass. The only control I have is selecting areas I find interesting. If I introduce flame working, my influence extends into form and color. This is one of my favorite examples. It’s in a series of four windows about 32″x 20″ in height. The theme of the four windows is the wind blowing through winter vines, releasing the last of leaves and berries. The overall effect is that my art has a presence of both far away and

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Self

I believe it is essential to have a rich emotional life. Not only to be aware but to dive deeply into its meaning, to better understand ourselves, and to fully appreciate this aspect of being a human. Over the years, I have learned that I need to take mine “out for a walk ” to appreciate and evaluate them from a different perspective from where they evolved. Studying other countries, history, philosophy, and just about anything else removes me from this little environment where I tend to find comfort, safety, and certainty. It introduces me to many other possibilities

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Self

The proper title for what I do is artist/craftsman. I first heard of this description when I was in my early twenties. I was drawn to it because it is all-encompassing. I didn’t have to include anyone else in my creation; it set the stage for my free expression. I’m not fond of titles. This goes back to my experience dealing with too many people with credentials who need to have the minds of their professions. Around thirty years ago, a much younger artist asked me how long it took me to begin to feel like an artist. I

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Design

There are days when going to work is pure joy. So much of my time is spent dealing with communication, taxes, insurance, fixing problems, and working out the details so we stay financially viable. Today was different. I finished with all of the above thirty minutes into the day. It’s common to take two to three times that amount of time. When designing, the coordination between my mind and mechanical pencils centers me. It’s like driving when I know everything works correctly and can focus on the journey. From here, my mind is on the conversation my patron and

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Marketing

Marketing, the ever-changing mystery commission artist must have some understanding of to survive. Over the years, I have sent out postcards and letters, attended appointments and committee meetings, and displayed at craft shows. These are the building blocks to gathering interest in my art. They are also time-consuming and usually take a long time to pay off. One of the rewards of growing older is word of mouth. Occasionally, I get an email from someone who saw my work years ago and now has the place and funds to advance. Or, they read an article about my work and

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Self

Creating the art glass windows I make takes a lot of study. First, I must study the idea, translate it into a drawing, find and select the colors, make a pattern that will meet the mechanical requirements of a well-built window, and study the best way to execute the piece. Over the years, I have become comfortable with creative processes: thinking and doing, doing and thinking, and reevaluating new information.They are quick and easy to execute and fit my mental makeup. As a student, I struggled with focusing, memory, and concentration. I learned later that being born left-handed but

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Self

I have found a most enjoyable way to exercise. I peddle my stationary recumbent bike for thirty minutes five days a week. Over the instrument panel is a place for my iPad, where I entertain myself with music and stories about other artists and research my latest projects around the house. Lately, I’ve been watching episodes of America’s Got Talent on YouTube. It is so interesting to me when someone or a group comes out of nowhere with a fresh new routine. It renews my faith in our uniqueness, reinforced by the effort required to pull it all together.

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Self

I have never liked stereotyping people. I’m not good at it, and I almost always feel bad if I do. Of course, it’s just a part of who we are for many reasons. When we were working on a lot of church restoration, if I drove up to a church with mostly management people, I would often since I was facing an uphill battle if I wanted to continue pursuing the project. Or, as we say in the country, he must have jumped the fence, or he’s on the other team. If I pulled up to a church with

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Efficiency

John came to work yesterday but was unusually excited to tell me something. Remember when I first started working here? We were beveling one day, and when I had something to say, I would turn to you and stop beveling. I noticed that you only stopped beveling when you finished a piece and picked up another. You said we were only productive when holding the glass on those big rotating wheels. We can talk and bevel at the same time. That thought has followed me throughout my life, ever since I joined the Navy, worked for other companies, was

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Inspiration

Around twenty-five years ago, I sought another outlet for inspiration. I grew bored with traditional stained glass designs and wanted fresh ideas. I found it in jewelry. Jewelry has an enormous and rich design history, not only of line but of color. I studied Lalique, Cartier, Chanel, and others who looked to antiquity and vintage for inspiration. Below is one of my favorites by Rene Lalique. I knew I would only use a small fraction of what I discovered, but I was filing away a wealth of information that would influence my future work. Twenty-five years later, I see

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Designing

When I design a window, I consider how far away the viewer will be. This concept is often seen in church windows. The background design consists of larger pieces of glass and is repetitive to give the sanctuary a feeling of unity. Medallions are placed near eye level so the viewer can study the details in the message. I often use this concept in my residential art as a surprise element.

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Spontaneity

As I age, I find that being creative is much more spontaneous. When I look back on my younger days, with all of the to-dos and structures placed before me, I remember how daunting life was. There was always someone directing, evaluating, and labeling me. I often didn’t feel seen as myself but conveniently placed into a category. Later, I learned that I was being conditioned and socialized to be outward-directed, to follow directions from others. I understand. An institution’s role is to stabilize, organize, and provide a variety of labor levels for its economic structure. However, my goal

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Self

My adjustment to our world was painful because of my left-brain—right-brain switch; I have evolved into a very inward person. My self-development, which I have taken responsibility for, has evolved from reading, observing, and thinking. I’m especially aware of how extraordinary life is, as we have evolved on the only known planet that can sustain it. We are here for a short time, and the quality of that time is mainly in our hands. And that there are others in this world who would like a piece of my life for their gain. There are times when I lie

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Rosettes

It’s not unusual for leaded glass in a residential entryway to have rosettes over the solder joints as a decorative feature. When restoring a window, we often replace the old lead with new. Unless it has a protective covering, lead is typically replaced every hundred years. If the window has rosettes, we’ll replace them as well. To replace rosettes, I find the best original one and make a mold with a heat-resistant material. Then, it’s a simple matter of heating scrap lead to its melting point, and pouring it into the mold. Sounds easy enough, but the trick is

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Career Day

I have always enjoyed Career Day. I’m usually included as an alternative choice for the students who are most likely not to go past high school or even graduate. “You don’t have to go to college to do what Mr. Cain does.” And that’s true. I wear this distinction with honor. You may recall from previous snippets that I spent most of my formative years asleep and daydreaming in the back of the class. One of my favorite pastimes was designing a canoe factory. Taking flat sheets of metal through the various stages to form what was a fine

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School

I realized something was wrong from my first days in the first grade. I had trouble understanding what was going on. The instructions were unclear, reading was laborious, and letters and numbers kept jumping around. In some way, I didn’t know if I was sane in an insane world or insane in a sane world. I learned that if I sat in the back of the class and didn’t participate, most adults would leave me alone; this protected me from the devastating barrage of failing grades. It also allowed me to live in my little world of daydreaming, filled

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Feel

One of an artist/craftsman’s most critical assets is feeling the material one is working with. I do not know of a way to teach another how to make a leaf from melting glass. I am aware one can stand over someone and direct them, but it is not until the maker takes the responsibility of thinking and feeling material that they will be able to achieve the many nuances needed to create an ongoing series of objects, each one unique unto itself. Many of my greatest joys in life have been achieving this flow in myself and seeing the

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Music

Around eight years ago, one of the provosts at Virginia Commonwealth University asked me to speak to a graduate class in advertising about creativity. Toward the end of my talk, I was asked if music helps to make people creative. I said no. I would like to correct this notion now. When I’m working, I find listening to music distracting. Every morning, when pedaling my stationary recumbent bike, I hear a lot of music. I’m especially fond of Dave Mathews’s tune Jimi Thing. I greatly respect Dave’s creativity in his music and his incorporation of other creative musicians into

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Mindset

I moved from Richmond, Virginia, to Bremo Bluff, Virginia, in 1981, when I was thirty-two years old. I didn’t realize it then, but this was the turning point in my life, from putting all my efforts into creating a commercial business to creating an artist studio. I found a 1906 farmhouse on seven acres that seriously needed repair. It had a falling-down “buggie” barn that I jacked back up and made into my studio. By living off of referrals, I reduced my time to make a living to four months a year. The other eight months I devoted to

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Children

All of our children worked in my shop at one time or another. They all had business cards and were paid by the hour. This is Matthew, our middle child. This photo was taken around twenty years ago. My father took me to work with him occasionally, and I still have fond memories. It was nice spending time with them outside of our home environment. I also saw the value in sharing with them what I did for a living and exposing them to the work environment. The idea of being paid according to one’s ability to create was

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Perspective

When in doubt, try the opposite. Traditionally, one would bevel the accent pieces and leave the background uneventful. Trying the opposite, I beveled the background and used rippled stained glass for the accents. The combination resulted in a soft, glowing window, where the light played a crucial role in enhancing the beauty of the glass as it shimmers off the background and the foreground. This subtle uniqueness is what makes art glass such a beautiful architectural accent.

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Designing

This is a sketch of one of our current projects. I want to create a sense of what it’s like to stand at one of the overlooks on Skyline Drive overlooking the Blue Ridge Mountains. It’s a windy Fall evening, and the leaves are beginning to fall. A bright full moon fades the Fall colors of the leaves in front of it, while the rest are various shades of red and orange. The trees express the harsh life of growing high on the mountain ridge. Their roots squeeze between boulders for nourishment and then cling to them during harsh

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Collecting

I like to motor in my 2001 Miata when I have some spare time. Visiting antique shops is high on my list as I travel through the countryside of central Virginia. Since we have all the furniture we’ll ever need, I focus on “collectibles,” usually in the $5 to $35 range. I have found some beautiful objects that have great form and color. Some are handmade, and others are early production pieces. What I enjoy the most is that I can sit in my study and hold the pieces, studying them up close.Museums tend to frown upon this practice.

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Artist/Craftsman

A few years into my craft, I was settling into my life’s work. I discovered the concept of the artist/craftsman, where one develops an idea, expresses it on paper, and then creates the object. This idea I was involved in from the beginning to the endcaptured my interest. Although I collaborate with a patron, I am responsible for 96% of the outcome. As I follow my commissions, I constantly reevaluate color and line development. This happens throughout the day, the next day, and even after installation. “Am I a helicopter artist?” Am I “overthinking the project?” The problem, as

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When I Started Beveling

When I started beveling, the only historical design influence I could find was traditional. For years, I worked within these parameters, beveling miles of 1/2-inch bevels on 1/4-inch glass. Boredom began to take its toll. Looking around for other glass to bevel, l remembered one of my suppliers had colored glass in 1/4-inch sheets for storefront applications. This is one of my first windows in color. It was for a couple here, Bremo Bluff, who “liked me and my work.” I haven’t used colored bevels much, but like many of my experiments, it is there if the need arises.

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Decisions

It seems like all I do is make decisions. This isn’t a complaint; I like to make decisions. My problem is that my mind wants to keep working on them when I’m ready to do something else. This creates a short attention span for me. Most of the people around me know this. They know that if they want me to hear them, they should establish eye contact, or my head should at least turn in their direction. When I was in college over fifty years ago, down in East Texas, how people greeted each other was very similar

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Freedom

Sitting on the hillside between my junior and senior years in college, I thought about how I wanted to live my life. I knew I wouldn’t fit into the corporate world and would not allow someone else to profit from my development. I believe one should work when the work is there and then take time to enjoy the other things life offers. I had done everything everyone else wanted me to do; now, it was my turn to take control of my life. I wanted a shop, my product, and, most importantly, to be in control. I wanted

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Sculpturing

I created this window around 2004 for a couple in Virginia Beach, Virginia. They wanted one of my windows for the wife’s bathroom. The window to the right of her bathtub was the perfect place for some of my art. The window looked out into a section of their yard that was just lawn. I took this photograph outside of my shop for my archives. We decided on a Dogwood tree. There are two branches, one from a tree to the left of the window and one from a tree to the right. When I first drew the design

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Time

I created this window for a couple in Columbus, Ohio. Each window we make is unique. To advance my art, I strive to add something special to each project that strengthens our designs and skills. From the beginning, I knew I wanted the lily petals to be the prominent feature in this window. However, I knew I could not make them from one piece of flame-worked glass. After thinking about this for a couple of days as I worked on other projects, I finally realized that I could use our UV adhesive to bond pieces together so they looked

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Co-Workers

It’s important to me that I like and respect the people I work with. Our small outfit thrives on collaboration. There’s no strict division of labor. Instead, we operate as a cohesive unit, leveraging our strengths to support the one best suited for the task. This collaborative approach is what makes us competent. John has worked with me on and off for the last forty years. During that time, he joined the Navy and worked for several large corporations, which sent him to and paid for technical classes. He was a police officer for Gordonsville, VA, where he also

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